David M Howard - Books

Current Editions (Mouse over cover reveals back)

and now behind it

Chapter in: Modern methods for musicology: Prospects, proposals and realities
Howard, D.M. (2009). The computer and the singing voice, Modern methods for musicology: Prospects, proposals and realities, Crawford, T., and Gibson, L. (Eds.), Farnham: Ashgate Publishing Ltd., 59-72, ISBN-13: 978-0-7546-7302-6.
This book is a collection of contributions illustrating hom ICT is being used in musicology now and how it could be used in teh future.David's chapter is about the use of ICT for the study of the singing voice in terms of its analysis and the application of real-time visual displays for singing training..

and now behind

Chapter in: The Larynx
Howard, D.M. (2008). Electrolaryngography/electroglottography, The Larynx, Fried, M., and Ferlito, A., (Eds.), San Diego: Plural Press, 227-243, ISBN-13: 978-1-59756-062-7.
This is a collection of chapters relating to the structure, function and care of the larynx written primarily for a medical audience. David's chapter is about electrolaryngography/electroglottography; two names for an electrical technique for monitoring the vibration of the vocal folds in the larynx non-invasively. The techique makes use of two electrodes that are placed on the neck at the level of the larynx and held there with an elastic neck collar.
castrato Chapter in: Moreschi and the voice of the castrato
Howard, D.M. (2008). Acoustics of the castrato voice, In: Clapton, N., Moreschi and the voice of the castrato, London: Haus Publishing, ISBN: 9781905791422. Nov 2008.
Having been involved in the BBC4 TV program Castrato with Nick Clapton, Nick invited David to write this acoustics chapter for this new edition.Book of the month (Jan 2009) on Classic FM.

“That <chapter> of David M. Howard ... is highly informed and well executed.” –
Times Higher Education review by Professor Martha Feldman, University of Chicago, 22/01/09
Back AUTHOR: Voice science, acoustics and recording
Howard, D.M., and Murphy, D.T. (2008). Voice science acoustics and recording, Dan Diego: Plural Press. ISBN-13: 978-1-59756-078-8
This book is intended for all wishing to understand the acoustics of how the voice works, the acoustics effects of a space when performing there vocally and how to make a high quality voice recording. It is written with only the mathematics necessary to make understanding the concepts easy and it includes tips and hints for keeping the voice healthy.
back AUTHOR: Acoustics and Psychoacoustics (3rd Edition)
Howard, D.M., and Angus, J.A.S. (2006). Acoustics and psychoacoustics, 3rd Edition, with audio CD, Oxford: Focal Press. ISBN 0-240-51995-7
This textbook was written to support teaching to first year undergraduate and MSc/MA students on Music Technology degree programmes at York. It introduces acoustic and psychoacoustic principles from a musical perspective. Whilst it is aimed particularly at students of music technology, music, acoustics and psychoacoustics, it will also be of interest to studio engineers, composers, music performers, and those with a keen interest in listening to recorded and live music. The 3rd edition is updated to include more on pipe organs, audio coding as well as an audio CD.
back Contributions to and Editor of: The Penguin Dictionary of Electronics (4th Edition)
Garner, P.E., Howard, D.M., Porter, S.J., Tyrrell, A.M., Ward, A.E., and Wood, J. (2005) Contributions to: The Penguin Dictionary of Electronics, 4th Ed, Howard DM (Ed.), ISBN 0-14101-3974
The Penguin Dictionary of Electronics provides concise definitions of the words, terms and abbreviations used in modern electronic engineering. The fourth edition has considerably enlarged on the third edition, taking into account new activities that are becoming core to electronics as we enter the 21st century including nanotechnology, modern communications engineering, audio technology and computer engineering. It builds on an already substantial track record of providing reference material in electronic engineering for teachers and pupils working in Design and Technology, lecturers and students working in electrical engineering, physics, computer engineering and music technology, as well as technicians and researchers who make use of electronic equipment and related techniques in their work.
back Chapter in: Speech technology for telecommunications
Howard, D.M., and Angus, JAS (1997). Introduction to human speech production, human hearing and speech analysis, In: Speech technology for telecommunications, Westall, F.A., Johnson, R.D., and Lewis, A.V., (Eds.), London: Chapman and Hall, 30-72. ISBN: 0 412 79080 7
This textbook introduces the theories behind human speech production and perception in a form that is accessible to engineers. It is so often the case that telecommunications engineers consider the speech pressure waveform simply as another signal to be processed, when there are many advantages which could be gained from knowledge of how speech sounds are produced and the nature of the acoustic output from the vocal tract.
back Chapter in and co-Editor of: The Voice Clinic Handbook
Howard, D.M. (1997). Practical voice measurement, In: The voice clinic handbook, Harris, T., Rubin, J., Harris, S., and Howard, D.M., (Eds.), London: Whurr Publishing Company, 323-382. ISBN 1 86156 034 6
This handbook is written for voice professionals in the medical field who wish to set up or understand better the multi-disciplinary nature of a voice clinic. Howard's chapter on practical voice measurement considers the typical range of measurement techniques applied to quantify aspects of the voice in terms of their reliability, accuracy and repeatability. It also looks at what can happen if user controllable parameters are set without at least some basic knowledge of their function.
back AUTHOR: Synthesisers in Worship
Howard, D.M. (1989). Synthesisers in Worship, RSCM Handbook 11, London: The Royal School of Church Music.
This handbook (30 pages, two original pieces of music by Alan Wilson) introduces the use of synthesisers in church and how they can be used to enhance worship, whether stand-alone or to enhance a pipe organ. It is based on the experiences gained by David Howard and Alan Wilson in their "Synthesiser Duo" giving concerts of popular music played on 6-8 keyboards as well as master classes they gave at Addington Palace during the 1980s and 1990s to members of the Royal School of Church Music.

Earlier Editions

back Acoustics and Psychoacoustics
Howard, D.M., and Angus, J.A.S. (2001). Acoustics and psychoacoustics, 2nd Edition, Oxford: Focal Press. ISBN 0 240 51609 5.
An enhanced version of the original to include more on acoustics of instruments, the singing voice and electronic systems for sound processing.
back Acoustics and Psychoacoustics
Howard, D.M., and Angus, J.A.S. (1996). Acoustics and psychoacoustics, 1st Edition, Oxford: Focal Press. ISBN 0 240 51428 9
back

Penguin Dictionary of Electronics
Garner, P.E., Howard, D.M., Porter, S.J., Tyrrell, A.M., Ward, A.E., and Wood, J. (1998). Contributions to: The Penguin Dictionary of Electronics, 3rd Edition, Illingworth, V. (Ed.). ISBN 0 14 051402 3

   
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